सोरठा :
बंदउँ मुनि पद कंजु रामायन जेहिं निरमयउ।
सखर सुकोमल मंजु दोष रहित दूषन सहित॥
बंदउँ चारिउ बेद भव बारिधि बोहित सरिस।
जिन्हहि न सपनेहुँ खेद बरनत रघुबर बिसद जसु॥
बंदउँ बिधि पद रेनु भव सागर जेहिं कीन्ह जहँ।
संत सुधा ससि धेनु प्रगटे खल बिष बारुनी॥
दोहा :
बिबुध बिप्र बुध ग्रह चरन बंदि कहउँ कर जोरि।
होइ प्रसन्न पुरवहु सकल मंजु मनोरथ मोरि॥
चौपाई :
पुनि बंदउँ सारद सुरसरिता। जुगल पुनीत मनोहर चरिता॥
मज्जन पान पाप हर एका। कहत सुनत एक हर अबिबेका॥
गुर पितु मातु महेस भवानी। प्रनवउँ दीनबंधु दिन दानी॥
सेवक स्वामि सखा सिय पी के। हित निरुपधि सब बिधि तुलसी के॥
कलि बिलोकि जग हित हर गिरिजा। साबर मंत्र जाल जिन्ह सिरिजा॥
अनमिल आखर अरथ न जापू। प्रगट प्रभाउ महेस प्रतापू॥
सो उमेस मोहि पर अनुकूला। करिहिं कथा मुद मंगल मूला॥
सुमिरि सिवा सिव पाइ पसाऊ। बरनउँ रामचरित चित चाऊ॥
भनिति मोरि सिव कृपाँ बिभाती। ससि समाज मिलि मनहुँ सुराती॥
जे एहि कथहि सनेह समेता। कहिहहिं सुनिहहिं समुझि सचेता॥
होइहहिं राम चरन अनुरागी। कलि मल रहित सुमंगल भागी॥
दोहा :
सपनेहुँ साचेहुँ मोहि पर जौं हर गौरि पसाउ।
तौ फुर होउ जो कहेउँ सब भाषा भनिति प्रभाउ॥
चौपाई :
बंदउँ अवध पुरी अति पावनि। सरजू सरि कलि कलुष नसावनि॥
प्रनवउँ पुर नर नारि बहोरी। ममता जिन्ह पर प्रभुहि न थोरी॥
सिय निंदक अघ ओघ नसाए। लोक बिसोक बनाइ बसाए॥
बंदउँ कौसल्या दिसि प्राची। कीरति जासु सकल जग माची॥
प्रगटेउ जहँ रघुपति ससि चारू। बिस्व सुखद खल कमल तुसारू॥
दसरथ राउ सहित सब रानी। सुकृत सुमंगल मूरति मानी॥
करउँ प्रनाम करम मन बानी। करहु कृपा सुत सेवक जानी॥
जिन्हहि बिरचि बड़ भयउ बिधाता। महिमा अवधि राम पितु माता॥
सोरठा :
बंदउँ अवध भुआल सत्य प्रेम जेहि राम पद।
बिछुरत दीनदयाल प्रिय तनु तृन इव परिहरेउ॥
भए प्रगट कृपाला दीनदयाला कौसल्या हितकारी।
हरषित महतारी मुनि मन हारी अद्भुत रूप बिचारी॥
The merciful, compassionate Lord — the benefactor of Kaushalya — appeared. The mother was filled with joy; the sage's mind was captivated at the sight of his wondrous form.
लोचन अभिरामा तनु घनस्यामा निज आयुध भुज चारी।
भूषन बनमाला नयन बिसाला सोभासिंधु खरारी॥
Beautiful eyes, a dark-cloud-hued body, four arms bearing his own weapons; adorned with ornaments and a garland of forest flowers, large eyes — an ocean of beauty, the destroyer of Khar.
बार बार नाइ चरन सिर, बिनय करइ रनिवास।
जनि प्रभु मोहि बिसारहु, करहु हृदय निवास॥
Bowing again and again at the Lord's feet, the palace ladies pray: "O Lord, do not forget me — make your home in my heart."
ठुमकि चलत रामचंद्र बाजत पैजनियाँ।
किलकि किलकि उठत धाइ गिरत भूमि लटपटाइ॥
Little Ramchandra toddles along, his anklets jingling. He squeals with delight, runs, then falls and rolls on the ground — again and again.
Bal Lila — English Meaning
The merciful, compassionate Lord — the benefactor of Kaushalya — appeared in his divine form. The mother was filled with overwhelming joy; even the sages' minds were captivated at the sight of his wondrous form.
His eyes were enchanting, his body dark as rain-clouds; he held his own weapons in four arms. Adorned with ornaments and a garland of forest flowers, with large eyes — he was an ocean of beauty, the destroyer of Khar.
Little Ramchandra toddles along with his anklets jingling sweetly. He squeals with delight, runs excitedly, then falls and rolls on the ground — then gets up and does it all over again. His dark beautiful form dusted with earth was so enchanting that Tulsidas could only compare him to the beautiful child Krishna, son of Nanda.
The palace women bow again and again at his feet, praying with folded hands: "O Lord, do not forget us — make your eternal dwelling in our hearts."
The Bal Lila is not merely a description of Ram's childhood — it is a profound spiritual teaching on vatsalya bhakti (devotion as a parent). Tulsidas shows us that the supreme Lord who sustains the universe chose to appear as a helpless, laughing, tottering child — entirely out of love for his devotees. Every parent who reads this feels Kaushalya's joy, and every devotee feels the privilege of being loved by such a Lord.
भए प्रगट कृपाला दीनदयाला कौसल्या हितकारी।
Chaupai 1, Line 1 — Balkanda · Bal Lila
| # | Word (Sanskrit) | Roman | Type | Meaning |
|---|---|---|---|---|
| 1 | भए | Bhae | Verb (Past) | Appeared / became manifest |
| 2 | प्रगट | Pragaṭa | Adjective | Manifest / visible / appeared |
| 3 | कृपाला | Kṛpālā | Noun (vocative) | The merciful / compassionate one |
| 4 | दीनदयाला | Dīnadayālā | Compound Noun | दीन (poor/humble) + दयाला (compassionate) = the merciful to the humble |
| 5 | कौसल्या | Kausalyā | Proper Noun | Kaushalya — mother of Lord Ram, queen of Dasharatha |
| 6 | हितकारी | Hitakārī | Adjective | One who does good / benefactor / well-wisher |
हरषित महतारी मुनि मन हारी अद्भुत रूप बिचारी।
Chaupai 1, Line 2 — Balkanda · Bal Lila
| # | Word | Roman | Type | Meaning |
|---|---|---|---|---|
| 1 | हरषित | Haraṣita | Adjective | Filled with joy / overjoyed / delighted |
| 2 | महतारी | Mahatārī | Noun | Mother (Awadhi) — refers to Kaushalya |
| 3 | मुनि | Muni | Noun | Sage / ascetic / one who has taken a vow of silence |
| 4 | मन | Mana | Noun | Mind / heart / consciousness |
| 5 | हारी | Hārī | Verb | Captivated / stolen / enchanted (mind was won over) |
| 6 | अद्भुत | Adbhuta | Adjective | Wondrous / extraordinary / beyond description |
| 7 | रूप | Rūpa | Noun | Form / appearance / beauty |
| 8 | बिचारी | Bicārī | Verb (gerund) | Upon contemplating / reflecting / seeing |
Tulsidas follows the Bhakti tradition of seeing the Lord as one's child (vatsalya). Kaushalya's joy at seeing the divine child is the archetype of this devotion — she doesn't see the all-powerful Vishnu; she sees her baby Ram, and that limited, personal love is itself the highest spiritual achievement.
The Bal Lila section uses the chaupai metre — four-line verses in Awadhi, each line of 16 matras (syllabic units). This metre gives the verses a rhythmic, almost musical quality suited to the joyful subject matter.
The dohas (two-line couplets) that appear between groups of chaupais serve as summaries and meditative pauses — a traditional structure Tulsidas inherited from the Sant Kavya tradition of his predecessors like Kabir and Surdas.
Notice the onomatopoeia in "ठुमकि" (thumaki) — the word itself sounds like the toddle of a child. This is Tulsidas at his literary finest, using sound to reinforce meaning.
The Bal Lila prakarana of Balkanda is among the most beloved sections of the Ramcharitmanas. It deals with the divine childhood of Lord Ram — his first steps, his playful antics, the joy of his parents, and the wonder of the citizens of Ayodhya who witness these acts.
Goswami Tulsidas chose to include these episodes to highlight the concept of vatsalya bhakti — devotion in the mood of a parent. In this form of devotion, the devotee sees God not as the supreme master but as their own beloved child, to be pampered, protected, and delighted in.
The famous verse "ठुमकि चलत रामचंद्र बाजत पैजनियाँ" (Thumaki chalat Ramachandra, bajat paijaniyaan) captures the divine child Ram toddling with his anklets ringing — an image so tender that it has been set to music and sung across India for centuries.